Monday, January 29, 2007

Death Note Real Life Movie DVDs release info

The Death Note movie DVDs will be released by Vap on 14 March and here are the details of the three version:

Death Note / Death Note - the Last Name - complete set
Date of Release: 14 March 2007
Catalog Number: VPBT-12688
Price: 7140 yen
Contents: 3 DVDs consisting of Part 1 (126 minutes) + Part 2 (140 minutes) + Special Footage (130 minutes) + Trailers + TV CMs + Hidden Footage + Booklet + Special CD with Amane Misa's CD cover featured in the movie (Heaven's Door) as the CD jacket








Death Note
Date of Release: 14 March 2007
Catalog number: VPBT-12686
Price: 3570 yen
Contents: Movie (126 minutes) + trailers + hidden footage












Death Note - the Last Name -
Date of Release: 14 March 2007 (Wed)
Catalog number: VPBT-12687
Price: 3570 yen
Contents: Movie (140 minutes) + trailers + hidden footage

Saturday, January 27, 2007

Review of Death Note - the Last Name -

This review comes at almost a month after I watched the movie in the cinema. Actually, I had lots of thoughts and comments about the concluding instalment of the Death Note real-life adaptation movie but only managed to find time to get down to organising them now. As such, this review will be very long, probably longer than what I wrote for the first movie. And be reminded that there are lots of spoilers so if you haven't watched this and do not wish to find out about the ending or whose name was written last on the Death Note, please skip this review now.

Part 1 ended with the cliffhanger of L supposedly seeing through Light's TV-in-the-potato-chips trick and taunting the latter by munching on chips before him. The sequel is where L and Light finally get the chance to pit their wits against each other, face-to-face. Light wants to join the Kira search team headed by L so as to eliminate his biggest enemy. On the other hand, L wants to find the proof to point to Light's identity as Kira and relishes the thrill of catching Light unawares at unexpected junctures.

I guess both guys enjoy the challenge of having someone who's as smart as you even though the other party is a life-threatening enemy. For example, their first "clash" at chess was such a speedy affair that the onlookers were stunned at how fast the geniuses made their moves as if they did not need to think at all.

The story here is jumbled up and the setting deviates from the manga to a large extent.

First of all, instead of introducing the Yotsuba arc in the story, the movie made Takada Kiyomi (Katase Nana) become the female version of Higuchi instead and totally erased the romantic link between her and Light. In the manga, Takada was Light's ex-classmate and considered an ex-girlfriend as well. Her reappearance was arranged to be right after the Yotsuba arc as a pawn for Light to get in touch with Mikami, the third Kira.

In the movie, Takada becomes somewhat like Higuchi who had made use of the Death Note passed by Ryuk under Light's orders to shake off L's suspicions. Takada plays a budding reporter in Sakura TV who wants to climb to the post of main announcer which is currently hogged by Nishiyama Saeko who had slept with the producer Demegawa to secure the post. Well, Takada has lofty aspirations about being a top class announcer without stooping so low but her conscience and ideals crumble when presented with the Death Note by Rem (instead of Ryuk). She follows the instructions to continue killing criminals with the Death Note and finally uses it for her own benefit by causing a freak accident for Nishiyama. This allows Takada to climb to the top but not at her own merit. L and Light pinpoint Takada easily from the various clues and manage to catch her redhanded. Eventually, Light kills off Takada once he regains his memory and gets back the ownership of the Death Note.

Frankly speaking, although Takada isn't that smart in the manga either (she was used by Light and died in a fire together with Mero), she comes across as a bimbo especially after getting hold of the Death Note. And I simply do not understand why the director had to arrange for Takada to show off her legs in such a manner which is obviously a visual treat for the guys. It only serves to strengthen the impression that the Takada in the movie is a brainless beauty. Given that the movie does not have enough time to cover the full storyline, I guess that's why the decision was made to potray Takada as Higuchi.

Talking about the newly added characters, I don't understand why Demegawa shrunk from an obese fellow to one scrawny lecherous chap. Nishiyama's addition was similarly meaningless and only served to be the reason why Takada went astray.

Amane Misa (Toda Erika) becomes someone of greater importance in the sequel as an infatuated admirer of Light who would do anything for him. To be frank, I simply dislike the Misa in the manga because I cannot understand her rationale of doing things and her blind obsession with Light although it's obvious that he's using her. To make things worse, her "cute" mannerisms got on my nerves, primarily due to my lack of tolerance for girls who try to act cute. However, Toda does pretty well as Misa and I can say Misa doesn't seem that annoying after all. Although Misa's ditzy nature did not change in the movie, I guess Toda managed to tone down a little bit during the more sentimental scenes e.g. the last part where she was trying hard to remember what happened to Light.

With regards to the two leads i.e. Fujiwara Tatsuya and Matsuyama Kenichi, I must say that the latter outshines his senior in many ways. Although Fujiwara was good at showing how twisted Light had become especially to the extent of trying to kill his father for the sake of securing his own survival, Matsuyama showed off a more varied performance. That mask he was wearing to cover his face, the antics he was up to when he appeared in Light's university and the way he fell off the chair upon hearing about Death Gods made everyone in the theatre laugh amidst the tense atmosphere prevalent in the movie. Yet, he also showed the serious and sentimental side of L when he was having the final showdown with Light, lamenting his inability to save Watari and how he was facing impending death alone. No wonder he managed to get so many awards and nominations for his acting in this movie e.g. Best Newcomer in Hochi Movie Awards, Best Newcomer in Yokohama Movie Festival and Best Supporting Actor in Nippon Academy Awards. I'm looking forward to seeing the L spinoff movie which will be shown in 2008. Details about the movie are still shrouded in secrecy but once information is available, I will post them on this blog.

Last but not least, the ending of the movie which I'm sure everyone would know is different from the manga. In the manga, almost all those involved in the case in one way or another died and the only main character who survived is Near. Of course, there's still Matsuda, Aizawa and Co. who are left behind in the police force to think about the what ifs assuming Light aka Kira was still alive. In the movie, there were also many who died e.g. Light, L, Watari but there were many who survived to think about the what ifs. I like the idea of keeping the truth from people close to Light because they would have been devastated by his true identity as Kira especially Sayu and his mother. It was also a good thing for Misa to lose her memories of how Light died because she would have joined him in death which was almost a certainty.

In the movie, L is potrayed as the victor in the battle of wits against Light but at the expense of his life. He wrote his name personally in the Death Note to test one of the rules written within and to gain Yagami Souichirou's assistance in nabbing Light. Although he died later than Light, the final name written in the Death Note is Light since L used it on himself prior to the showdown. As such, this victory isn't a complete one for L but provides some consolation especially to L fans who should have been shocked and sad at seeing him die at such an early stage in the manga. That last scene of L facing death alone and feeling sad about not being able to protect Watari from harm was very upsetting. Although he died with dignity, that lingering sense of sadness made it very difficult for me to accept his death.

On the whole, I feel that the movie adaptation was pretty successful in many ways. First of all, most of the original characters and settings were kept as it was so as to manage the expectations of manga fans. At the same time, the deviations from the plot managed to churn up many surprises for those new to the story and manga fans at the same time. Adding to that was the competent performances of Fujiwara and Matsuyama made it a joy to watch their battle on screen. If I have to name the things which I'm unhappy about the films, that would probably be the handling of Misora Naomi to the extent of making her a brainless woman, the over-exposure of flesh from Takada Kiyomi as well as redundant changes e.g. the "shrinking" of Demegawa and oversimplying Takada's role as a woman hungry for fame and power.

Monday, January 15, 2007

Romaji lyrics of "Kuroi Namida" by ANNA TSUCHIYA inspi' NANA (BLACK STONES)

Title: Kuroi Namida (Black Tears)
Sung by: ANNA TSUCHIYA inspi' NANA (BLACK STONES)
Lyrics by Megumi Takeuchi
Melody by Hiroki Nagase
ED of the anime, "NANA"


Asu nante konai you ni to
negatta yoru kazoe kirenai
yume mo ai mo nakushi
ame ni utareta mama naiteru

kazari tsuke nai de kono mama no atashi de ikite yuku tame nani ga hitsuyo
jibun sae shinjirezu nani wo shinjitara ii no
kotae wa chikasugite mienai

kuroi namida nagasu
watashi ni wa nanimo nakute kanashii sugite
kotoba ni sae nara nakute
karada juu ga itami dashite
taerarenai hitori de wa

yonaka ni naki tsukarete egaita jibun janai jibun no kao
yowasa wo kakushita mama egao wo tsukuru no wa yameyou...

kazari tsuke nai de ikite yuku koto wa kono yo de ichiban
muzukashii koto?
anata kara morau nara katachi no nai mono ga ii
kowareru mono wa mou iranai

kuroi namida nagashi sakendemo
shiranu kao de ashita wa kite
onaji itami ni butsukaru
sonna hibi tsuzukeru nara
tooku kiete shimaitai
wagamama to wakattemo...

kuroi namida nagasu
watashi ni wa nanimo nakute kanashii sugite
kotoba ni sae nara nakute
karada juu ga itami dashite
taerarenai hitori de wa

kuroi namida nagashi sakendemo
shiranu kao de asu wa kite
onaji itami ni butsukaru
sonna hibi tsuzukeru nara
tooku kiete shimaitai
wagamama to wakattemo...

Saturday, January 13, 2007

PV screenshots of "Kuroi Namida" by ANNA TSUCHIYA inspi' NANA (BLACK STONES)

Here are the screenshots of "Kuroi Namida" performed by ANNA TSUCHIYA inspi' NANA (BLACK STONES) which is also the new ED for the anime version of NANA.

In tune with the title, the whole PV is in monochrome with Tsuchiya Anna in a simple black dress. There isn't much variation in the setting except that you will get to see her being drenched by a shower tap or lying on the desert.

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Monday, January 01, 2007

Favourite animes of 2006

Although I've watched quite a number of animes in 2006, I found that when it comes to naming my favourites, only two titles come to mind i.e. Hachimitsu to Clover II & Death Note. I have issues with the rest of the titles I watched and there were a siginificant number of animes which I even dropped halfway. As such, I'm not sure whether it is the quality of the animes which has gone downhill or my expectations have gone higher which is leading to this situation.

First of all, let me talk about Hachimitsu to Clover II which should be my No.1 series for the year.

After watching the first season in 2005, it got me so interested in the story that I went to buy the manga once the series had ended its run. The bittersweet tone in the story makes it very engaging and anyone who has gone through friendship, school life, separation from friends or even one-sided love could easily relate to the circumstances of the characters. I think that's the power of Hachikuro which is drawing many to read the manga and watch the anime. I'm not sure how the real-life adaptation movie fares when compared to these two versions though because I've not watched it yet.

Anyway, coming to the second season, it's more like a resolution to the situation trapping these characters and how it appears that they have finally found a way out of the seemingly hopeless state which their lives are stuck in. The love triangle between Takemoto, Hagu and Morita did not have a conclusion though but it's rather obvious that Hagu feels something different for Morita and vice versa as compared to her views of Takemoto. On the other hand, Mayama has shown his conviction to stick with Rika while there seems to be some hope for Yamada and Nomiya to work things out one day. What was a bit surprising would be the fact that Hanamoto's feelings for Hagu which appeared out of the blue although it was obvious that his love for Hagu had already seemed overboard for an uncle and niece.

Since the manga has already ended, it doesn't seem likely that there will be a continuation of the series or even a spinoff. I feel that it's better to leave things as it is instead of spoiling the wonderful impression which viewers have of Hachikuro. It's important to know when to stop just as it is important to know when to let go.

The other series which has got me very interested would be Death Note. The situation for this title is slightly different from Hachikuro where I watched the anime before reading the manga. In Death Note's case, I've already read the manga before watching the anime so I'm very familiar with the story and knows what to expect.

I'm glad to see that the anime is following the manga's story closely instead of putting in nonsensical filler episodes like what NANA has been doing at times (the Junko no Heya recap SPs which get on my nerves). Even though there may be some developments which seem to be simplified to ensure that there is sufficient time to cover everything, the essence of the story is still very much intact. I also like the voice acting by Miyano Mamoru (Light) and Yamaguchi Kappei (L) and hope that the anime can cover up at least till the Yotsuba arc.

With the start of the new season coming soon, I can only hope for better works to come our way in 2007 so that I will have more titles to write about when the end of the year approaches.