Monday, November 27, 2006

Hitoiro - NANA starring MIKA NAKASHIMA

This song is the theme of NANA 2 where the lyrics are written by Yazawa Ai, the manga's author and the melody composed by GLAY's Takuro. As compared to the insert song by Ito Yuna, this is more on the rock side but not as groovy as "GLAMOROUS SKY" though. The melody is much more mellow and slower. However, it does show Nakashima Mika's vocal ability to a certain extent especially the parts where the lyrics have to be sung at a faster pace which I'm glad to see as a form of improvement on her part.

In tune with the title, "Hitoiro" i.e. monochrome, you will see only black-and-white images in this PV except for the scenes in the movie which is in colour. This is rather different from Ito Yuna's PV which has a lot of beautiful scenery from Scotland. And you don't get to see scenes from the movie in Ito's PV. Another significant difference was the fact that the Trapnest members appeared in Ito's PV but none of the Black Stones members made a live appearance in the Hitoiro PV. It was more of a one-man show from Nakashima right till the end.

One issue I have with the PV is the shiny crumpled dress she was wearing while she's walking on the road. Personally, I cannot appreciate this outfit at all and thinks Nakashima looks quite awful in that. Somehow, I remember seeing this type of style before but I can't remember who had worn a similar outfit in the past.

As the "Truth" PV was done in an elaborate fashion, the "Hitoiro" PV pales in comparison in terms of the packaging but it has a certain edge over its rival because it featured scenes from the PV. However, it's quite evident that there was a difference in the budgets for both productions and Nakashima's PV had a strong sense of her personal style. In essence, it felt more like a song from Oosaki Nana rather than from Black Stones.

I can't say that I really like the song right from the start but this grows on you over time. However, given that it's not easy to take to this song easily, this may have an impact on the sales figures especially when compared to "Truth" which can be easily accepted by the mass market due to its ballad style. We'll see how the sales go from now on...

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Saturday, November 25, 2006

Truth - REIRA starring YUNA ITO

This new song, TRUTH, under the name of REIRA starring YUNA ITO, is the insert song for the upcoming movie sequel of NANA to be shown next month in Japan. I'm not too pleased about some of the changes in the cast but I'll pass judgement on that when I watch the movie.

Just like what happened previously when everything about "GLAMOROUS SKY" and "ENDLESS STORY" were compared to the finest detail, the new theme song "Hitoiro" by Nakashima Mika and this insert song is bound to invite controversy even before the movie is shown. Both songs are vastly different in terms of style and target market. Even the PVs show a clear difference in the production budget and somehow hints at difference in treatment of the two singers who belong to the same record company. I'll talk more about "Hitoiro" in the next post.

This PV is similar to "ENDLESS STORY" in the sense that both of them are ballads which makes it easier for the general public to take a liking to. One difference I noticed was that the lyrics of "TRUTH" seemed to be more applicable to Hachi's relationship woes while "ENDLESS STORY" felt more like Ren and Nana's story. I guess I can only confirm my guess when I actually see the lyrics.

Personally, I like seeing those scenes where Ito Yuna has straight hair and snow flakes falling on her. The curly hairstyle doesn't really suit her although I guess it must have been done to correspond with Reira's image.

For the time being, here are the screenshots of the beautifully-done PV shot in Scotland. By the way, the crew went to Scotland for the filming of the movie in the first place during September so it wasn't a deliberate trip made just for the sake of filming the PV. At least, that was the idea I got from what Ito Yuna wrote in her official blog.

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Saturday, November 04, 2006

Death Note Shueisha 2007 Calendar Review

I received the Death Note Shueisha 2007 calendar last Friday but could only find time today to post a review about this product. The picture on the right is for the month of March which is my birthday month and I happen to like this picture too thus explaining why I decided to include this in the post.

This calendar consists of 6 sheets in laminated plastic form with 1 month printed on each side. Each picture will consist of the characters in the story including Light, L, Misa, Near and Mero. For your information, Misa dominates the months of January and February with her solo shots so she can be considered to have the highest exposure rate among the characters if you also count her appearances in other months with various characters. I guess this is good news for fans of Misa but I would have loved to see more of Light or L.

Another picture which I like is this solo shot of L in April. His appearance ratio in this calendar is simply too low and that's only restricted to this picture and the small corner he has in March. Even Mero and Near seems to enjoy more prominent focus than L who is a key character in how the story develops.

I was expecting to see new pictures in this calendar but was disappointed to see many familiar images like the double-shot of Ryuk and Light against the height measurement background. As such, it was quite upsetting to see old pictures rather than new ones. I thought the manga artist would have come up with something new for the calendar which I doubt a new edition will be released next year now that the manga has already ended. Nonetheless, the quality of the pictures are still fairly good so I'm prepared to let this pass. Anyway, I don't have any solution but to complain here. ^__^ I have also taken shots of the plastic stand containing the logo of Death Note which displays the pictures in back and side view so you may judge for yourself whether you want to buy this after all.

Thursday, November 02, 2006

Kindaichi Shounen no Jikenbo - Ikazuchi Matsuri Satsujin Jiken (Ep 101 - 103)

In this case, Kindaichi and Miyuki are invited to the hometown of their ex-classmate Asagi Akie which is celebrating the lightning festival in summer. Akie used to be in the same class as them but she transferred back to her hometown in spring. Akie is the daughter of a famous pottery artist Asagi Tousei who passed away 4 months ago after committing suicide by piercing his throat with a sharp object. Akie lives with her stepmother Hazuki who married into the family 3 years ago and stepsister Shigure who's 2 years younger than her. However, her aunt Haruko dislikes Hazuki and Shigure whom she blames for turning her elder brother into a weirdo. Apparently, there's another reason why Haruko nurses a grudge against Hazuki because her ex-boyfriend Mutou Kyouichi who's an insect researcher seems to have feelings for Hazuki and ditched Haruko for Tousei's widow instead.

As in previous cases, everything will begin with a murder and in this instance, Mutou is the one who gets killed. This case is simple in the sense that the number of suspects is limited to the womenfolk in the Asagi family but the tricks used are the real puzzles waiting to be solved. In fact, at the end of the story, there is an unexpected twist to the truth behind the murder of Mutou and the supposed murder of Asagi Tousei where the survivors have to grapple with the tragic consequences that these events bring to their lives.

Saturday, October 28, 2006

Romaji lyrics of "Deep in your heart" by Domoto Koichi

Title: Deep in your heart
Artiste: Domoto Koichi
Opening track for Juousei

How deep is your heart?
Deep inside the darkness dare mo shiranai tokubetsu na
Want to feel...

sono no yami ni furetakute sotto te wo nobashita kimi ni
kizu karenai you ni... nodo bakari kawaita

Reached out to your heart
So deep yawarakaku tsutsumareta sono kokoro motto fukaku shiritakute ah

How deep is your heart?
Deep inside the darkness dare mo shiranai tokubetsu na
Want to feel...

How deep is this love?
Deep inside your heart yasashiku kowarenai you ni
Want to touch...

sou dare demo himitsu wa aru
I even have so many secrets...maybe more than you
kokoro fukaku kakusareteru
I wanna know your little secret that you have deep in you

Reached out in the dark
So warm zaratsuita ase ga kokoro no hida wo amaku nurasu ah

How deep is your heart?
Deep inside the darkness dare mo shirainai tokubetsu na
Want to feel...

How deep is this love?
Deep inside your heart yasashiku kowarenai you ni
Want to touch...

How deep is your heart?
Deep inside the darkness...Somewhere unknown and special
Do you want to feel...?
Do you want to feel...?

Sunday, October 22, 2006

Romaji lyrics of "Starless Night" by OLIVIA inspi' REIRA (TRAPNEST)

Title: Starless Night
Artiste: OLIVIA inspi' REIRA (TRAPNEST)
Lyrics: OLIVIA / SPACE CRITTER
Melody: Hideyuki Obata


I reached into the sky
omoi wa todoka nakute
chiisaku sora ni kieta
iro toridori no fuusen

I'm alone
ikisaki no nai watashi no te wo
sotto tsunaide kureta

Starless night kakou no kage furi kaeranai
kanjitai anata no nukumori
Tears are falling down mayotte mo hanashi wa shinai
tsunaida anata no te wo

Sometimes we fall apart
okubyou ni natte shimau kedo
kitto hito wa soko kara nani ka wo mitsuke daseru hazu

Take my hand
yowaku fukanzen na futari dakara
zutto te wo tsunaide iru

Starless night kuchibiru ga yowane haitemo
shinjitai anata no nukumori
Endless love mujun sae aiseteru no wa
You are my shining star

Starless night kakou no kage furi kaeranai
kanjitai anata no nukumori
Tears are falling down mayotte mo hanashi wa shinai
tsunai da anata wo

Starless night kuchibiru ga yowane haitemo
shinjitai anata no nukumori
Endless love mujun sae aiseteru no wa
You are my shining star
You are my shining star

Friday, October 20, 2006

Kindaichi Shounen no Jikenbo - Satsui no Resutoran (Ep 104)

This case reveals the culprit right from the start so the main issue here is picking up the clues which reveal the truth. A man is talking to a woman who's the owner of a restaurant. She is blackmailing the guy because she has a handle over him and reiterates her stand that she will not reduce the amount of money she's asking for. The man cannot stand her attitude and takes out a frozen piece of meat quietly before attacking the woman from behind. Just as the man has cleaned up the restaurant and is preparing to leave, Kindaichi and Kenmochi enter the place for a meal. Although the man is flustered by their sudden appearances, he pretends to be the owner of the restaurant and tries hard to get them to leave by serving awful drinks and food. However, Kindaichi manages to notice the unnatural behaviour of the man and exposes his tricks one by one. In the end, the whole incident turns out to be a case of assault instead of murder as the woman merely lost consciousness due to the blow.

Sunday, October 15, 2006

Death Note Real Life Movie Part 1 Review

After months of waiting, I finally got the opportunity to watch Death Note in our local cinema! Well, the movie was only supposed to be screened from 19 Oct but there are sneak previews this weekend thus I jumped at the chance to catch this last night. As compared to the situation for Umizaru which was shown about 2 months ago at three locations, Death Note is screened at GV cineplexes which are located strategically in the city area and heartlands so I think this will be a big boost to its takings. Besides, Death Note enjoys a very strong following among local manga fans. I noticed that there were many groups of guys coming to watch the movie together and girlfriends accompanying boyfriends who are manga fans (the guys sitting around me seemed to be occupied with explaining the story to their girlfriends ^__^ )so I assume the strong turnout is largely due to the popularity and fame of the manga itself. Last but not least, the advertisement billboards started appearing in places like MRT stations since last month so the publicity has helped to generate hype over the movie's release significantly.

Another piece of good news is that the local cinemas will be showing the second instalment i.e. "Death Note - the Last Name - " next month which I suppose should be in conjunction with its release in Japan, Taiwan and Hong Kong! This means that the local distributor must have deliberately delayed the release of Part 1 to Oct instead of going along with Hong Kong and Taiwan which screened the movie in about 1 month after the Japan screening in June, so as to keep the story fresh in viewers' minds and ensure that they will continue to watch the sequel. Watching Part 1 on its own only lays the foundation and background of the story and it ends with a cliffhanger. The real action i.e. the battle between Light and L will be the essence of Part 2 and I can't wait to find out if the ending will be different from the manga.

Coming to my views of the movie, I won't go into too much details of how the story progresses but do be warned that there would be plenty of spoilers in the following content as I express my thoughts about the movie especially when it comes to the comparison between the manga and movie.

First of all, the setting of the movie is significantly different from the manga especially when it comes to interpersonal relationships and backgrounds.

For example, Light was a 17-year-old senior high student in the manga but he becomes an university student reading law in the movie. I guess that's partly due to the fact that Fujiwara Tatsuya doesn't look like a senior high student now so instead of sticking blindly to the original setting and being slammed for not looking his part, it was a smart move to adjust Light's background to suit Fujiwara's physical attributes and image.

Names of characters were changed like Raye Penber became Raye Iwamatsu (I didn't see the rationale to do this though since Raye was an American after all in the manga) and some characters whom were supposed to be here ended up at another point in the story. For example, the guy named Shibuimaru Takuo was the one who got knocked down by a truck after he was chasing after a woman to harrass her but he took on the form of a child murderer in the movie and Light deliberately stood before the guy to write his name on the Death Note. Well, Light was furious about the fact that this guy was unrepentant about his misdeeds and that's why he had the strong urge to kill Shibuimaru as soon as he found out that the Death Note really had the power it claimed to have.

And the so-called key person in this movie i.e. the newly created character Akino Shiori didn't seem that important if you consider the limited airtime she gets. However, her presence is somewhat like a litmus test which gives you an idea of how Light views the people around him and how his character and morals had changed from his initial motto of changing the world for the better. It's obvious that Light doesn't love her at all which is why he could sacrifice her easily. He didn't seem that affected by her demise. To me, Light didn't have the intention of killing Shiori until the presence of Misora Naomi became a serious threat to exposing his identity. As such, he probably saw Shiori as someone whom he could use as a pawn anytime. Besides, as seen from his dialogue with Ryuk who asked what Light would do if Shiori found out that he is Kira, Light simply shrugged nonchalantly and said that Shiori will understand his intentions one day. If Shiori had meant something to him, I guess he would have given some thought about her feelings rather than expect that she accepts his new identity as a dictator of death without any reservations. As such, Shiori's importance in the story is subjective, depending on how you see it.

Something which bothers me was the fact that they used a middle-aged man to play the fake L on TV when the manga obviously used a much younger man. Again, I don't see the reason for the change but anyway, it doesn't affect the story at all. It just irks me to see changes which are not necessary.

Another thing was the inclusion of a female detective in Yagami's team. The self-introductions by them to L were conducted quickly but I remember clearly that the lady's surname was something I didn't see in the manga. Another newly created character, I guess.

Amane Misa was not as ditzy as what she is in the manga. I guess Toda Erika doesn't have much time to show off the characteristics of Misa yet so we should be seeing if she can match up to the irritating traits of the manga Misa.

Before I rave about the good points of this movie, let me point out one major disappointment and grouse I have. It's with regards to Misora Naomi. As you may have known, she is the fiancee of Raye and a former FBI inspector. In the manga, her interaction with Light was a very exciting part of the story where Light showed how clever he could get and Misora had protected herself right to the end until she revealed her name to Light as she let down her guard. Even though Misora did disappear or should I say die because of Light's manipulations, it was done in a very classy manner, absolutely no gore and leaving much to imagination. However, the movie oversimplified Misora and made her seem like a rash woman who exposed her background to Light too easily. As we find out later, Misora giving away a major piece of information about her identity proved to what killed her in the end. It was a waste to see her die in that fashion which was contrary to what she should have been. Too bad for Seto Asaka too...she could have done much better if the movie didn't design Misora to be such a brainless and reckless woman.

On the whole, I think that the story was handled pretty well especially for the following parts:

- The finale where L ate consome potato chips in front of Light at the arts museum. It was an obvious taunt at Light by L that the latter had seen through the mobile TV trick.

- Raye being ordered by Light to write down names of the FBI detectives on the Death Note. No doubt it was a little shortened, it was still exciting to watch.

- The moment L started appearing and his fervent eating of sweet stuff. That part where he stringed doughnuts, cakes and various snacks on a barbecue skewer and offered it to Yagami Soichiro was simply hillarious! L really provided lots of comical relief in the movie. Another favourite part was L saying that he and Light had something in common: both of them are childish and hate to lose. This has got to be one of the most classical lines in the story spoken by L. ^__^

- The bus-jacking incident, especially when Ryuk scared the wits out of that criminal

As for the characters/cast, my no.1 favourite would be L played by Matsuyama Kenichi. He's really a dead ringer for L in the manga especially his mannerisms and how he devours the sweets and snacks. Using a lollypop as the stirrer for his tea was really true to the "spirit" of L who has an unusually sweet tooth. Although I cringed at how he was eating (the thought of eating so much sweet food gives me the creeps), I wasn't put off by his performance and liked his potrayal of L very much. He's the most outstanding actor in the cast although I would have preferred to see more of him.

Second would be Nakamura Shido who plays Ryuk. Well, we don't get to see his face at all but his voice is really close to the image I have of Ryuk while reading the manga. And it is difficult to convey the emotions of the character just by using his voice so I'm very impressed by his performance (not by his private life scandals though!).

Fujiwara Tatsuya comes third for me. He does have the feel of Light to a certain extent but I think he is somewhat stuck in the middle at times. Right from the beginning, Light is supposed to have a tinge of innocence and childishness when he hasn't changed completely to a devil. In this regard, Fujiwara doesn't seem that "pure" after all. On the other hand, at this stage of the story, Light has not yet evolved into the epitome of complete evil so Fujiwara doesn't have the chance to show off his "evilness" as yet. I've seen the trailer for Part 2 and that's where I think Fujiwara will perform much better since the gap between Light's evilness and kindness will be very wide and this will be a big test of his acting skills. It will be interesting to see whether he or Matsuyama Kenichi will turn out to be the better actor at the end of the series. Nonetheless, I still think he did a pretty decent job although he was limited by some parts of the story at this point in time.

By the way, for those who are expecting to see something at the end of the movie, there's only the credits. I stayed till the end and was expecting to see some behind-the-scenes footage but was disappointed. Maybe there will be some for Part 2?!

On the whole, I'll rate this movie 9 out of 10. Except for some minor disappointments and some changes made to the setting which seemed redundant, this performed above my expectations.

Seems like there is a rush of Japanese movies to be screened this year. Nihon Chinbotsu comes on next from 26 Oct and I'll probably go for the sneak preview. There's also the Japanese Film Festival starting this month which has pretty recent films like Kamome Shokudou and Hakasei no Aishita Suishiki. And I am keeping my eyes wide opened for the exact screening date of Part 2 for Death Note...

Saturday, October 14, 2006

Romaji lyrics of "Sakasama no Chou" by SNoW

Title: Sakasama no Chou
Artiste: SNoW
Lyrics: Hideaki Yamano
Melody: SNoW/Yasumitsu Shinto


itsuka hikari no mukau sakasama no chou
kimi to kami wo kiru kagami no naka
juugyou chuu no rouka hibiku ashiato
taezu ame no oto ga tsuite kuru yo

kanjiru mama no katachi wa mabushii
amai hana ni naru doku no mi ni mo naru
kyou mo ame ano hi to ima wo sora to sora de tsunagitai no

In this Craziness, Uncertainty
hitori hitori no omoi wo bokura wa doko ka ni nokoseru darou ka
In this Craziness, You gave me life
hitotsu no omoi wo bokura wa doko made mamoreru darou ka

kimi wa oboeteiru no sakasama no chou
meeru no yaritori wa toritome mo nai
nagasarete itemo oyogereba ii
taezu hito no koe wa nami no you ni

shinjiru mama ni tsutaeru merodi
yasashii rizumu naki dashi sou ni naru
itsumo ame ima ga mirai e to tsuzuku sou omoitai yo

In this Craziness, Uncertainty
hitori hitori no katachi wo bokura wa doko ka ni nokoseru darou ka
In this Craziness, You gave me life
sorezore no katachi wo bokura wa dokomade mamoreru darou ka

kotoba ni nari tagara nai kimochi ga arimasu
hito ga ikura te wo nobashitemo
hito no naka ni todokanai bassho ga aru
koe ni naranai hitori hitori no omoi ga suki dakara
nani ka nara nakutemo itsu no hi demo kawarazu

In this Craziness, Uncertainty
hitori hitori no omoi wo bokura wa doko ka ni nokoseru darou ka
In this Craziness, You gave me life
hitotsu no omoi wo bokura wa doko made mamoreru darou ka
In this Craziness, Uncertainty
hitori hitori no katachi wo bokura wa doko ka ni nokoseru darou ka
In this Craziness, You gave me life
sorezore no katachi wo bokura wa dokomade mamoreru darou ka

In this Craziness, Uncertainty hitori hitori no akogare
In this Craziness, You gave me life hitotsu no kagayaki
In this Craziness, Uncertainty hitori hitori no tokimeki
In this Craziness, You gave me life hitotsu no kandou
In this Craziness, Uncertainty hitori hitori no manazashi
In this Craziness, You gave me life hitotsu no guuzen
In this Craziness, Uncertainty hitori hitori no nukumori
In this Craziness, You gave me life hitotsu no yakusoku

Friday, October 13, 2006

Romaji lyrics of "Split" by Suneohair

Title: Split
Artiste: Suneohair
ED of Hachimitsu to Clover II


arifurete iru kimochi nante sa
nani mo iwazu ni isso
kiete shimaeba raku ni nareru no ni

mitsume atteta kimi no hitomi ni
utsuru jibun ga yureteru
toboketa you ni kuchi wo aketa mama

sorezore no michi wo yuku
sono wakare michi
mou nidouto au koto no nai
deai wa kanashi sugiru

tarinai kimochi wo mochi yotte
atatemeta saki kara hiete itte
sonna hazu naitte shinjiteru
ittai itsumade onaji kotoba wo
kakae kondenda kakae kondenda

mitsume tsuzukeru kimi no hitomi ni
utsuru keshiki ga kawatta
boku no shiranai atarashii hikari

sorezore no michi wo yuku
ima, wakare michi
mou nidouto furi kaeranai
kimochi ga hashiri sugiru

kiesou na yoru ni dakiatte
hiekitta karada de kagire tatte
nani ka tarinaitte kanjiteru
ittai itsukara uso mo tame iki mo
kakae kondanda sasae kirenai hodo

tarinai kimochi wo mochi yotte
atatemeta saki kara hiete itte
konna hazu naitte shinjiteru
ittai itsu made onaji kotoba wo
kakae kondenda kakae kondenda

Wednesday, October 11, 2006

Kindaichi Shounen no Jikenbo - Manatsu no Akumu Satsujin Jiken (Ep 100)

In this episode, Kindaichi is out on a holiday with Kenmochi, Miyuki and Fumi at Kenmochi's hometown. As he had lost in the card game, Kindaichi is sent on an errand to buy some drinks and toiletries where he is caught in the rain and ends up borrowing the toilet of a bungalow. In this bungalow, there are three women i.e. Toyama Sakura, Kagawa Koume and Nagasaki Yuri who have gathered to find the killer of their tennis coach, Sudou Akashi one year ago. Apparently, the three were vying for Sudou's affection at that time to the extent of hurting their longtime friendship which went back to their primary days so the four were on a training trip at the bungalow with the aim of deciding who gets Sudou. However, while the three of them were out separately to buy the ingredients for dinner, they were shocked to see Sudou dead when they returned.

Just by hearing the story, Kindaichi comes to the conclusion of who's the killer easily. If this case had followed the usual format, it wouldn't have made such a deep impression on me. What distinguishes it from the rest is the fact that there is a supernatural twist to the story and it becomes a creepy experience for Kindaichi at the end. I won't go into details on this to prevent spoilers but I must say that it's not that scary though. In fact, it might even bring a smile to your face at seeing how freaked out Kindaichi is.

Monday, October 09, 2006

Romaji lyrics of "wish" by OLIVIA inspi' REIRA (TRAPNEST)

Title: wish
Artiste: OLIVIA inspi' REIRA (TRAPNEST)

OP of NANA

mabataki ga kaze wo yobu
hohoemi ga zawameki wo keshihashiru
anata no me ni sumu tenshi ga sasayaku
subete ga ima hajimaru to

Can you feel it now
Can you feel it now
nami ni nomi komareta you ni
Pulling on my heart
Pulling on my heart
iki wo tomete te wo nobashite

Baby kono sekai wa
kinou to wa chigau
anata no koto shika mienai
Baby my wish on a wing
kono sora wo saite
afureru hitotsu no kotoba de

kagayaki wo tadoru shisen
mayowazu anata e hashiru no ni
tachi sukumu kokoro tame iki wo tsuku
marude nagai tabi no you de

Can you feel it now
Can you feel it now
toki wa mujou ni nagareteku
Pulling on my heart
Pulling on my heart
kono omoi toki hanashite

Baby mou mirai mo
yakusoku mo iranai
anata ga soko ni iru dake de
Baby my wish on a wing
kono koe wo tobase
furueru hoshi wo tsuki nukete

Do you feel me?
Do you feel me now?

Baby kono sekai wa
kinou to wa chigau
anata no koto shika mienai
Baby my wish on a wing
kono sora wo saite
afureru hitotsu no kotoba de

Baby mou mirai mo
yakusoku mo iranai
anata ga soko ni iru dake de
Baby my wish on a wing
kono koe wo tobase
furueru hoshi wo tsuki nukete